Ganbaru TV
The intention of Ganbaru TV was to provide, not only a visual, but a tactile article which could represent the current dichotomy of Japan as a technologically advanced, yet culturally rooted nation. The use of a hand processed segment of wood pays homage to the profound philosophies of the craft. The Golden Ash wood was cut and formed through the use of hand tools and its natural form and imperfections were championed within the final outcome. The use of computer software and laser cutting technology to create the screen and text on the TV creates a striking contrast between the natural beauty of the tree and the refined design of the acrylic. Such a contrast unmistakably reflects the dichotomy between Japan's deep-seated traditions and its hugely successful technological industries.
Finally, the large inscription of the kanji representing Ganbaru is a direct statement to the incredible commitment and persistence to the perfection of work created by Japanese woodworkers. The characters are boldly displayed within the acrylic and provide a window onto the wood below. This is a testament to the Japanese culture of hard work and perseverance, which is present within both the technologically industries and traditional practices throughout Japan.
Ganbaru TV was a group project at RMIT University in Semester 2, 2019.
Designed in collaboration with group members and made by Miles.